Published on November 24th, 2014 03:40 AM
In the context of Opera Lively's upcoming guidebook to the phenomenal contemporary opera Written on Skin by George Benjamin (it should be published by year end, or in January 2015), we interviewed countertenor Tim Mead who performed the roles of The Boy/First Angel in two runs of the opera (Toulouse and Lisbon) and will be singing these roles again in a future performance (details still to be announced). This is the Opera Lively interview # 151.
In addition to several questions about Written on Skin, the interview addresses other aspects of the singer's career and artistry - such as comments on Baroque opera, the countertenor voice, and the use of Historically Informed orchestras with period instruments. His answers are very intelligent and interesting, making of this piece one of the best Opera Lively interviews.