Thread: What opera have you been watching lately?

          
   
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  1. #1816
    Senior Member Top Contributor Member Clayton's Avatar
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    Quote Originally Posted by Ann Lander (sospiro) View Post
    Thank you.

    I so want this. Amazon.uk have it for £38 and I'm very tempted.
    They are pricey and they are... err... well rarely performed operas

    Sometimes these discs get sold out and seem to disappear forever. I've had my eye on a Pacini for a long time but it hasn't been reprinted and any vendors who have stock want ridiculous consideration.

  2. #1817
    Opera Lively Media Consultant Top Contributor Member Ann Lander (sospiro)'s Avatar
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    It's a couple of years since I watched this and great to re-visit a favourite.
    "The world calls them its singers and poets and artists and storytellers; but they are just people who have never forgotten the way to fairyland."
    Lucy Maud Montgomery

  3. #1818
    Senior Member Top Contributor Member Clayton's Avatar
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    I've only seen the Met's Wadsworth-gergiev-pape production so far ( a good only) but want to see another. I'm waiting for this one to come up in a sale at PC.

  4. #1819
    Opera Lively News Coordinator Top Contributor Member MAuer's Avatar
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    Conductor: Sir Mark Elder
    ROH Orchestra and Chorus
    Director: Sir David McVicar
    Cast: Angela Gheorghiu, Jonas Kaufmann, Olga Borodina, Alessandro Corbelli, David Soar, Iain Paton, Janis Kelly, Sarah Castle, Maurizio Muraro, Bonaventura Bottone

    I really enjoy Sir David's productions. He obviously works closely with the singers to achieve dramatically credible portrayals with a wealth of small but telling details. Alessandro Corbelli's facial expressions say so much about Michonnet's deep, unrequited love for Adriana.

  5. #1820
    Opera Lively Moderator Top Contributor Member Amfortas's Avatar
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    Came home from the hospital to find my cats still alive and very glad to see me. Also the Blu-ray of last season's Met Rosenkavalier with Fleming and Garanca waiting in my mailbox. Had to stay up late watching it, of course, and was generally pleased with Robert Carsen's production and the individual performances. Certainly glad to add it to my collection (it makes an interesting comparison with Carsen's earlier Salzburg version of this same production concept.)

  6. #1821
    Senior Member Top Contributor Member Clayton's Avatar
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    Welcome back to catland

    - - - Updated - - -

    and opera lively

  7. #1822
    Opera Lively Moderator Top Contributor Member Soave_Fanciulla's Avatar
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    That's a nice welcome home surprise!
    Natalie

  8. #1823
    Opera Lively Staff Member Top Contributor Member Hoffmann's Avatar
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    I still miss my late Persian cat, Samson, who was my buddy and died a year or so before I moved.

    I now live in a pet-free building which seems unfortunate, but I have come to enjoy being able to come and go without having to worry about finding someone to tend to an animal or, worse, an animal that is unhappy with me for being gone so often.

  9. #1824
    Opera Lively Moderator Top Contributor Member Amfortas's Avatar
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    Quote Originally Posted by Soave_Fanciulla View Post
    That's a nice welcome home surprise!
    I know; I was sure they'd be dead!

    Or did you mean the opera?

  10. #1825
    Opera Lively Moderator Top Contributor Member Soave_Fanciulla's Avatar
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    Quote Originally Posted by Amfortas View Post
    I know; I was sure they'd be dead!

    Or did you mean the opera?
    Well, both really!
    Natalie

  11. #1826
    Senior Member Involved Member Nemorino's Avatar
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    All comedies and fairy tales from here until Christmas for me. This was a really enjoyable production. Once you ignore the references to the Crusades in the libretto, the WWII setting is colorful and well-designed and the comedy is really well done. Lots of delightful surprises, and every person in the crowd scenes appears to have an individual character. Obviously the singing was (mostly) first-class, but I was also struck by how good Javier Camarena's comic timing is in this. Hope I get to see him live in a comedy sometime.

  12. #1827
    Opera Lively Moderator Top Contributor Member Soave_Fanciulla's Avatar
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    Quote Originally Posted by Nemorino View Post
    All comedies and fairy tales from here until Christmas for me. This was a really enjoyable production. Once you ignore the references to the Crusades in the libretto, the WWII setting is colorful and well-designed and the comedy is really well done. Lots of delightful surprises, and every person in the crowd scenes appears to have an individual character. Obviously the singing was (mostly) first-class, but I was also struck by how good Javier Camarena's comic timing is in this. Hope I get to see him live in a comedy sometime.
    Yes, it's a charming production!
    Natalie

  13. #1828
    Senior Member Involved Member Nemorino's Avatar
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    If I didn’t have so much going on, I would probably be obsessing over this opera right now. I knew what to expect musically, but had never seen it. And I had kinda heard that this was more adult than you would think, but it still bowled me over. More complicated and discomforting than I expected. There’s something about Janacek’s old-world relationship to nature that I feel like I’ve lost and am desperately missing…

    This production is beautiful, and Elena Tsallagova is perfect as Vixen Sharp-Ears. She’s cute, small, energetic, expressive, clear soubrette voice, and I like that they didn’t burden her with much of a costume: everyone else in the cast is anthropomorphizing animal costumes, Tsallagova looks human but is zoomorphizing so well that you never forget she’s playing a fox (i.e. she swishes her long hair around like a tail).

  14. #1829
    Opera Lively Moderator Top Contributor Member Soave_Fanciulla's Avatar
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    Quote Originally Posted by Nemorino View Post
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    If I didn’t have so much going on, I would probably be obsessing over this opera right now. I knew what to expect musically, but had never seen it. And I had kinda heard that this was more adult than you would think, but it still bowled me over. More complicated and discomforting than I expected. There’s something about Janacek’s old-world relationship to nature that I feel like I’ve lost and am desperately missing…

    This production is beautiful, and Elena Tsallagova is perfect as Vixen Sharp-Ears. She’s cute, small, energetic, expressive, clear soubrette voice, and I like that they didn’t burden her with much of a costume: everyone else in the cast is anthropomorphizing animal costumes, Tsallagova looks human but is zoomorphizing so well that you never forget she’s playing a fox (i.e. she swishes her long hair around like a tail).
    It is indeed a glorious opera, Waldsamkeit by proxy.
    Natalie

  15. #1830
    Opera Lively Moderator Top Contributor Member Soave_Fanciulla's Avatar
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    UN Ballo in Maschera with Dima. Felt sad again.
    Natalie

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