Thread: What have you been listening to, lately?

          
   
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  1. #31
    Opera Lively Site Owner / Senior Editor Top Contributor Member Almaviva's Avatar
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    Quote Originally Posted by Dark_Angel View Post


    Just received my Netrebko/Garanca Anna Bolena blu ray......so I have been taking a refresher CD course
    Darn, why haven't I received mine yet?

  2. #32
    Senior Member Veteran Member Dark_Angel's Avatar
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    Quote Originally Posted by Almaviva View Post
    Darn, why haven't I received mine yet?
    Presto UK is my secret weapon..........

  3. #33
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    Quote Originally Posted by Soave_Fanciulla View Post
    See we knew we would convert you to opera!
    Oh, I have never denied my fondness for Mozart's operas. But that is a small fraction of the total music I listen to.

    Anyways, I'm finishing up The Magic Flute right now, and then moving on to Jacob's recording of Le nozze di Figaro, and possibly later, Cosi fan tutte.

  4. #34
    Opera Lively Moderator Involved Member Festat's Avatar
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    Jocobs' Così is my favorite of his Mozart recordings.

  5. #35
    Senior Member Veteran Member Aksel's Avatar
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    The Jacobs Così is a fantastic recording. I even like it better than his Zauberflöte, which is already a seriously amazing CD.

  6. #36
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    I have to admit that I haven't listened to Cosi as much as I have the other 2, and Tito and Idomeneo and Don Giovanni even less. Not that I don't like those others, but they just haven't gotten the play time that these first two do. I will likely load those last 3 on my mp3 player for tomorrow. I am just about finished with Figaro.

  7. #37
    Senior Member Top Contributor Member HarpsichordConcerto's Avatar
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    I am part way through this opera by Michael Haydn, brother of Joseph, Andromeda und Perseus. So far, it's been pretty good for I have never listened to a Michael Haydn opera before.


  8. #38
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    Yet another L'Elisir. This time:

    Metropolitan Opera House
    March 16, 1968

    Adina...................Roberta Peters
    Nemorino................Alfredo Kraus
    Belcore.................Mario Sereni
    Dr. Dulcamara...........Fernando Corena
    Giannetta...............Joy Clements
    Conductor...............Fausto Cleva

    Though quality isn't perfect I enjoyed it very much. I picked it to exclusively to hear Kraus in this role and I don't regret it - I never understood what people mean when they say that's some singer sounds "aristocratic", but Kraus made me understood that, he has such noble grace in his voice and singing manner - but I was also pleased to hear Corena whose Dulcamara really sings instead of groaning which often happens to others in this role.

  9. #39
    Senior Member Veteran Member Dark_Angel's Avatar
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    A couple new Tebaldi operas for the collection, a great 1967 Gioconda in excellent sound quality......I have never heard Tebaldi this dramatic before especially in the closing "suicido" sequence, I love this opera

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  11. #40
    Opera Lively Moderator Top Contributor Member Soave_Fanciulla's Avatar
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    Continuing my Handel exploration:



    Marijana Mijanovic sounds wonderful here.



    Nancy Argenta = pure silver
    Natalie

  12. #41
    Opera Lively Moderator Top Contributor Member Soave_Fanciulla's Avatar
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    Borrowed this from the library, I'm glad I didn't buy it. The 61-year-old Edita Gruberova is at the limit of her powers there, as you could tell by the awful last note, and although her achievement is impressive I didn't entirely enjoy it. Alice Coote sounded uneven (surprising, she's usually very dependable. The performance I enjoyed the most was Pavol Breslik. The staging by Christof Loy was Regie lite and rather dull.

    Natalie

  13. #42
    Senior Member Veteran Member Dark_Angel's Avatar
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    Quote Originally Posted by Soave_Fanciulla View Post
    Borrowed this from the library, I'm glad I didn't buy it. The 61-year-old Edita Gruberova is at the limit of her powers there, as you could tell by the awful last note, and although her achievement is impressive I didn't entirely enjoy it. Alice Coote sounded uneven (surprising, she's usually very dependable. The performance I enjoyed the most was Pavol Breslik. The staging by Christof Loy was Regie lite and rather dull.



    I felt the same about her recent Norma DVD, very good looking production but should have been done 20 years ago when Gruberova was capable of really singing this challenging role

  14. #43
    Senior Member Veteran Member Dark_Angel's Avatar
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    Quote Originally Posted by Soave_Fanciulla View Post


    I love Ewa Podles in the role of Polinesso here.

    Although I'm not entirely convinced by Anne-Sofie von Otter singing Handel, I very much enjoyed her rendition of Scherza Infida yesterday. I had reached a point on my walk where I was on a little bridge over a tidal estuary. I stopped walking and listened to this lovely aria, basking in the sun, gazing at the honeysuckle on a nearby bank trailing in the shimmering water and watching a cormorant catch its breakfast. A magic moment.
    Classical music can often inspire and touch our soul with its beauty......it is good to be able to appreciate these wonderful things in life

  15. #44
    Senior Member Involved Member AnaMendoza's Avatar
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    Quote Originally Posted by Soave_Fanciulla View Post
    Borrowed this from the library, I'm glad I didn't buy it. The 61-year-old Edita Gruberova is at the limit of her powers there, as you could tell by the awful last note, and although her achievement is impressive I didn't entirely enjoy it. Alice Coote sounded uneven (surprising, she's usually very dependable. The performance I enjoyed the most was Pavol Breslik. The staging by Christof Loy was Regie lite and rather dull.

    This is amusing: I'm not very familiar with opera DVDs, but I saw this much of your post on the front page excerpt, yesterday:
    Borrowed this from the library, I'm glad I didn't buy it. The 61-year-old Edita Gruberova is at the limit of her powers there
    and I wondered if you might be referring to this very one. I'd checked it out from the library a few months ago, and was disappointed in Gruberova's performance. Also, I couldn't help laughing at the promoters of the video, who put a picture of Gruberova in an elaborate period gown on the cover, I assume in the hope that the buyer won't realize that she and the other singers are more-or-less on an empty stage, throughout the opera.

  16. #45
    Opera Lively Site Owner / Senior Editor Top Contributor Member Almaviva's Avatar
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    Yes, not a good one in my opinion. I think the opera is very good, but this production is sub-par.
    "J'ai dit qu'il ne suffisait pas d'entendre la musique, mais qu'il fallait encore la voir" (Stravinsky)

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