Oh, I have never denied my fondness for Mozart's operas. But that is a small fraction of the total music I listen to.
Anyways, I'm finishing up The Magic Flute right now, and then moving on to Jacob's recording of Le nozze di Figaro, and possibly later, Cosi fan tutte.
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The Jacobs Così is a fantastic recording. I even like it better than his Zauberflöte, which is already a seriously amazing CD.
I have to admit that I haven't listened to Cosi as much as I have the other 2, and Tito and Idomeneo and Don Giovanni even less. Not that I don't like those others, but they just haven't gotten the play time that these first two do. I will likely load those last 3 on my mp3 player for tomorrow. I am just about finished with Figaro.
I am part way through this opera by Michael Haydn, brother of Joseph, Andromeda und Perseus. So far, it's been pretty good for I have never listened to a Michael Haydn opera before.
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Yet another L'Elisir. This time:
Metropolitan Opera House
March 16, 1968
Adina...................Roberta Peters
Nemorino................Alfredo Kraus
Belcore.................Mario Sereni
Dr. Dulcamara...........Fernando Corena
Giannetta...............Joy Clements
Conductor...............Fausto Cleva
Though quality isn't perfect I enjoyed it very much. I picked it to exclusively to hear Kraus in this role and I don't regret it - I never understood what people mean when they say that's some singer sounds "aristocratic", but Kraus made me understood that, he has such noble grace in his voice and singing manner - but I was also pleased to hear Corena whose Dulcamara really sings instead of groaning which often happens to others in this role.
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Continuing my Handel exploration:
Marijana Mijanovic sounds wonderful here.
Nancy Argenta = pure silver
Natalie
Borrowed this from the library, I'm glad I didn't buy it. The 61-year-old Edita Gruberova is at the limit of her powers there, as you could tell by the awful last note, and although her achievement is impressive I didn't entirely enjoy it. Alice Coote sounded uneven (surprising, she's usually very dependable. The performance I enjoyed the most was Pavol Breslik. The staging by Christof Loy was Regie lite and rather dull.
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Natalie
This is amusing: I'm not very familiar with opera DVDs, but I saw this much of your post on the front page excerpt, yesterday:
and I wondered if you might be referring to this very one. I'd checked it out from the library a few months ago, and was disappointed in Gruberova's performance. Also, I couldn't help laughing at the promoters of the video, who put a picture of Gruberova in an elaborate period gown on the cover, I assume in the hope that the buyer won't realize that she and the other singers are more-or-less on an empty stage, throughout the opera.Borrowed this from the library, I'm glad I didn't buy it. The 61-year-old Edita Gruberova is at the limit of her powers there
Yes, not a good one in my opinion. I think the opera is very good, but this production is sub-par.
"J'ai dit qu'il ne suffisait pas d'entendre la musique, mais qu'il fallait encore la voir" (Stravinsky)
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