Let's follow with Rossini, this time with an aria sung by Maria Callas, "Non si da follia maggiore", recorded in Rome, the year 1950:
Now that Kunde is going to sing Verdi's Otello, let's hear him singing recently Rossini's, with Dmitry Korchak and Ana Caterina Antonacci:
Let's follow with Rossini, this time with an aria sung by Maria Callas, "Non si da follia maggiore", recorded in Rome, the year 1950:
Angela Gheorghiu singing "L'amour est enfant de bohčme", the first aria composed by Bizet to introduce the character of Carmen, and that was later replaced by the very famous "Habanera":
Well, those of you who follow Seattle Opera know we are about to start a summer run of "Turandot". This afternoon I saw a public library's lecture preview of "Turandot", can I say his name? I think I will. It's Norm Hollingshead's lecture series. He's a great guy and I've convinced Almaviva to support him in Opera Lively, in the hopes that Norm will become a member and advertise for us.
In the course of this lecture, we heard "Nessun Dorma" sung by no less than four tenors. I'm kind of on "Nessun Dorma" overload. Here is Rudolph Schock singing "Nessun Dorma" in German: HERE
Angela Meade singing recently Leonora (Trovatore) in Spain:
Elīna Garanča singing "Mon coeur s'ouvre a ta voix", for her new album, Romantique:
This was surely a Norma for the ages:
Unfortunately, there are no surviving recordings.
But we can at least hear the principals singing Bellini's masterpiece:
Lauri-Volpi / Meco all'altar di Venere
Ponselle & Telva / Mira, o Norma
Pinza / Ah! Del tebro al giogo indegno
I particularly enjoyed this exchange of arguments under the video:
Bringbackbelcanto: she isn't a classical singer... which is the point and singing with her is selling out. It's not being snobbish. It's giving respect to the few who study for decades and learn the languages and the techniques, over those who have a great PR team, a fake boob job and can't sing on pitch.
herby0518: get lost
More Mozart in Hungarian (dangerous stuff):
This is the reference of the recording (it's in Italian, but it's easy to understand, I think):
Quest“aria di Fiorilla fu registrata il 19 ottobre 1950 in collegamento diretto col teatro Eliseo di Roma, ove si svolgeva una parte della stagione lirica della RAI che comprese ben quattro rappresentazioni de“Il turco in Italia. Otro che dalla Callas, il cast era composto da Anna Maria Canali, Cesare Valletti, Mariano Stabile, Sesto Bruscantini e Giorgio Calabrese, con la concetezione e direzione d“orchestra (della RAI) di Gianandrea Gavazzeni.
La Callas canterą ancora quest“opera: tra el 31 agosto e l“8 settembre del 1954 per la registrazione discografica effettuata per la Columbia al teatro alla Scala, e poi ed infine dal 15 aprile 1955 per le ben nota cinque rappresentazioni scaligere: il cast vedrą la sostituzione della Canali con collega Jolanda Gardino e di Bruscantini con Nicola Rossi Lemeni, mentre Valletti sarą sostituito da Nicolai Gedda solo nella registrazione. L“unica testimonianza fotografica della recite all“Eliseo (da noi pubblicata in copertina) la si deve a Oscar Coltellaci di Roma, prima di tutto caro amico e po callassiano "del primo minuto" ( tutti gli altri infatti da considerarsi "della prima ora" ) e collezionista.
Magda Olivero debut at Met happened only in 1975 ( and only thanks to Marilyn Horne ).
She was 65 at the time.
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