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Thread: Their best role

          
   
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  1. #61
    Opera Lively Moderator Top Contributor Member Amfortas's Avatar
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    Lucia and Ophélie showcase her dramatic skills, Marie her comedic. Perhaps for both, as well as sheer virtuoso vocal technique, I'll go with Zerbinetta.

  2. #62
    Opera Lively News Coordinator Veteran Member MAuer's Avatar
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    I'll have to go with her Manon.

  3. #63
    Junior Member Newcomer
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    In my experience, it's a coin toss between Otello and Cavaradossi!

  4. #64
    Technology Consultant Involved Member
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    Quote Originally Posted by Papageno View Post
    In my experience, it's a coin toss between Otello and Cavaradossi!
    A Natalie Dessay Cavaradossi would be interesting indeed!

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  6. #65
    Opera Lively Moderator Top Contributor Member Amfortas's Avatar
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    Quote Originally Posted by rgz View Post
    A Natalie Dessay Cavaradossi would be interesting indeed!
    I prefer her Otello.

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  8. #66
    Opera Lively Administrator / Chief Editor Top Contributor Member Schigolch's Avatar
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    LUCIANO PAVAROTTI

    Rodolfo (La Bohème)*
    http://www.youtube.com/watch?v=G890jG02RbI

    Alfredo Germont (La Traviata)*
    http://www.youtube.com/watch?v=RtsrswJhJdc

    Duca di Mantua (Rigoletto)*
    http://www.youtube.com/watch?v=7XiUBRSO_k4

    Edgardo (Lucia Di Lammermoor)*
    http://www.youtube.com/watch?v=_CC9U43BFio

    Tonio (La fille du régiment)*
    http://www.youtube.com/watch?v=i11uJrQyaUw*

    Arturo (I puritani)*
    http://www.youtube.com/watch?v=PMnC0W26Hkw

    Nemorino (L'elisir d'amore)*
    http://www.youtube.com/watch?v=yzKMowH3xFI

    Calaf (Turandot)*
    http://www.youtube.com/watch?v=TOfC9LfR3PI

    Manrico (Il Trovatore)*
    http://www.youtube.com/watch?v=T0_UG2UnM7o

    Mario Cavaradossi (Tosca)*
    http://www.youtube.com/watch?v=4mX7ugJ5NM8

  9. #67
    Banned Top Contributor Member
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    He's my number one Canio, out of those you listed I'd choose Calaf (from recording with Mehta).

  10. #68
    Opera Lively Administrator / Chief Editor Top Contributor Member Schigolch's Avatar
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  11. #69
    Opera Lively News Coordinator Veteran Member MAuer's Avatar
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    I'll go for Rodolfo in La Boheme.

  12. #70

  13. #71
    Opera Lively Moderator Top Contributor Member Amfortas's Avatar
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    No secret that I'm not a big Vickers fan, but he's tremendous as Peter Grimes (even though Britten himself didn't like the interpretation).

  14. #72
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    Tristan? His recording with Karajan and Darnesch was my introdution to this work and I still adore it. He has such a dark, gloomy voice and some special force behind it which makes some of his notes so incredibly momentous. His Tristan really deserves his name.

    But shame on Schigolch for not putting Siegmund on the list, behold:



  15. #73
    Opera Lively Administrator / Chief Editor Top Contributor Member Schigolch's Avatar
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    Should had been there, my fault.

  16. #74
    Opera Lively News Coordinator Veteran Member MAuer's Avatar
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    Quote Originally Posted by Amfortas View Post
    No secret that I'm not a big Vickers fan, but he's tremendous as Peter Grimes (even though Britten himself didn't like the interpretation).
    This is pretty much the same for me.

  17. #75

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