This is our last piece that was still incomplete, for our extensive coverage of the 2016 Festival d'Aix-en-Provence. You can consult the numerous other interviews, reviews, and pictorial blogs in our coverage portal, by clicking [
here]. This is not an Opera Lively exclusive interview, but rather a public Q&A session that we attended and recorded. The singer was so thorough in describing her experiences, that it became unnecessary to interview her in person, since she covered everything that we might have wanted to ask her. She particularly addressed in a very interesting way, how the stage director shaped the festival's production of Handel's oratorio
Il Trionfo del Tempo e del Disinganno, staged like an opera. Sabine sang - and very well - the main female role.
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