• Luiz Gazzola (Almaviva)


    Please notice the widget on your right. Click on the + sign to open the tree of exclusive articles if it's not open yet. If you want the articles from the Opera In-Depth project, click on its + sign and the operas will be listed. Keep clicking to read the article of your choice.

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    Please notice the widget on your right. Click on the + sign to open the tree of exclusive interviews if it's not open yet, then click on the name of the artist to read the interview.

    You'll get the introduction to the interview, and will need to click on "read more" to get the full text. Enjoy!
    by Published on December 18th, 2011 07:54 PM  Number of Views: 25142 

    5. Musical Analysis

    La Traviata – Musical structure

    With Rigoletto, Il Trovatore, and La Traviata, Verdi began to break the mold of formula and predictability by merging recitative, aria, and ensemble. He wanted clear dramatic continuity.
    ...
    by Published on December 18th, 2011 03:08 AM     Number of Views: 4930 

    La Traviata – Sources

    Chronology:


    The libretto is based on La Dame aux Camélias by Alexandre Dumas fils, who wrote both a novel and a play with the same title.

    The novel was first published in Paris by editor Alexandre Cadot, 1848, in 2 volumes (340 and 362 p.), reprinted in one volume by the same editor in 1851.

    A revised and corrected version was published in 1852 by editor Michel Lévy.

    Another revision with corrections by the author was published by the same editor in 1872.

    The play in five acts with songs was published in Paris by D. Giraud and L. Dagneau in 1852, 105p.
    ...
    by Published on December 17th, 2011 11:53 PM   

    Here we will list links to other web sites and blogs that we at Opera Lively endorse for their quality and high standards.


    First, our first official partnership with a professional opera company - we are proud and honored that maestro James Meena, artistic director and principal conductor at Opera Carolina, has accepted us as one of his Media Partners. Opera Carolina is one of the premier regional companies in the United States, with high standards of quality, presenting beautiful productions in the state-of-the-art, 2,100-seat Belk Theater in Charlotte, NC. Their web site is very informative, with excellent content including some 50 in-depth analyses of different operas - look for their interesting Operaphobic Guides which can be downloaded in pdf format. Visit them at www.operacarolina.org, and see one of their productions which you can find announced in our Local area.


    UNC Opera
    UNC Department of Music
    Second, our second official partner, UNC Opera, is the opera program at The University of North Carolina at Chapel Hill College of Arts and Sciences, Department of Music. They produce regularly (twice a year) operas with a focus on contemporary American composers, and boast undergrad and grad voice and opera education.

    Timeline-wise, Piedmont Opera and the A.J. Fletcher Opera Institute of the University of North Carolina School of the Arts became our 3rd and 4th (or 4th and 3rd) official partners simultaneously, since a good part of the leadership of these two organizations is manned by the same people. Piedmont Opera is a small but excellent professional regional opera company headquartered in Winston-Salem, NC. They produce two operas and one concert per year, and have a reputation for very excellent productions, thanks to their association with the Fletcher which provides resources such as student singers, dancers, production school, etc. The Fletcher / UNCSA is one of the most prestigious art schools in this part of the country, and their opera program attracts high school, undergrad, and graduate students from all over the country. Their websites: www.piedmontopera.org, and www.fletcheropera.com




    Our fifth parnership is with North Carolina Opera, as of early April 2012. North Carolina Opera is a very dynamic regional company with interesting productions. They are a recently established company but with longer tradition, since they have originated from the merger of two older institutions, the Capital Opera Raleigh and the North Carolina Opera Company. See our announcement for their upcoming performances in our Local Area, and visit their beautiful website at www.ncopera.org



    Our sixth partners to join us are Asheville Lyric Opera, the company from Western North Carolina headquartered in a beautiful and arts-rich mountain city. They are in their 14th season. A trip to Asheville to see one of their productions is a treat, given that the city offers outstanding gourmet restaurants, upscale hotels and spas, wineries, art galleries, etc. Visit their web site at www.ashevillelyric.org.



    Opera Lively is an Associate Member of Opera America, the service organization for opera in the United States and Canada. We're very proud of this membership since it is not granted lightly. www.operaamerica.org



    As part of our support for local organized groups of opera fans, we are delighted to direct our member's attention to the The Chapel Hill Opera MeetUp Group (a.k.a. "Eyes on Opera"), in activity since 2007. They screen opera monthly (3rd Saturday at 10 AM) in a well equipped auditorium and boast a membership corps of 105 opera fans. The group came from the work of Victoria Windler, who was a passionate opera lover who passed away, leaving a collection of 500 opera CDs and DVDs, which her husband Stan Cheren has used to continue her work. Three of Opera Lively current members are also members of this group, and we're hoping that more of them will join us. Visit them at http://www.meetup.com/Chapel-Hill-Opera/



    CVNC.org is an online arts journal in North Carolina. Its acronym stands for Classical Voice of North Carolina, but since it has expanded to cover many other disciplines beyond classical music, it now goes exclusively by its initials. It covers music, dance, theater, opera, and visual arts. John W. Lambert, its executive editor, is an insightful and competent critic, and the journal, in its 12th year of operation, counts on many other collaborators (33 distinguished arts writers, plus interns in two colleges). Joel Adams and Joe Kahn are co-chairs. Reviews and calendars are provided - it contains the most extensive performing arts calendar in the state (annualy, they list about 2,500 events!). Those interested in diffusing their events should send email to events@cvnc.org. Opera Lively is happy to endorse this organization - a worthy destination for donations, for those who want to support the performing and visual arts, since it helps diffusing - for free - the events offered by many NC non-profits.



    Ionarts.org is a web site with high quality coverage of classical music and opera, including reviews of live opera, CDs and DVDs, and links to broadcasts. It's very well done, by Charles T. Downey, who also freelances for the Washington Post. We recommend it.



    www.voix-des-arts.com is a North Carolina-based web site by Joseph Newsome, who is passionate about opera and classical music, having received musical education in piano, violin, and voice. We are glad to know that he also supports one of our favorite charities, UNICEF, and we like his well-written and informative reviews. We loved his stated mission: he is "dedicated to ensuring that opera and classical music do not merely endure but triumph in the 21st century." Please visit his site.

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    Other Links:

    This blog is authored by member Superhorn. This gentleman has often posted insightful comments about opera and other genres of classical music, so we're happy to support his blog. Visit him at http://www.blogiversity.org/blogs/th...n/default.aspx

    We also support member itywltmt's blog, and we are glad that he often posts his interesting contributions on Opera Livelly as well, both in English and in French. Visit him at http://itywltmt.blogspot.com/

    One of Opera Lively's members, treemaker, strongly endorses this operation. Mr. Norm Hollingshead seems to be doing a wonderful job in educating the public about opera, and diffusing the art form. He gives lectures about every opera that Seattle Opera schedules, in libraries throughout the county. He also organizes tours to the main American opera houses, so that his costumers can attend opera. Bravo, Mr. Hollingshead, keep up the good work! We encourage our Washington State readers to patronize Mr. Hollingshead's business. Here is a link to his website Norm Hollinghshead's OperaPlus

    We believe in the work that noted American baritone Mr. Thomas Hampson is doing for the rediscovery of American art songs. Please visit his Hampsong Foundation site.

    More links will be added to this space as we develop more partnerships and relationships with other content providers - stay tuned.
    by Published on December 15th, 2011 04:35 AM     Number of Views: 3784 
    Article Preview

    Met in HD series, November 19th, 2011 (Live) and December 7th, 2011 (Encore)
    Opera in 3 acts by Philip Glass, sung in Sanskrit
    Libretto by Philip Glass and Constance DeJong, after the Bhagavad Gita

    Metropolitan Opera Orchestra conducted by Dante Anzolini

    Stage Director - Phelim McDermott
    Set Designer - Julian Crouch
    Costume Designer - Kevin Pollard
    Video Director - Barbara Willis Sweete
    Live in HD Host - Eric Owens

    Acrobats, Puppet Masters - Skills Ensemble

    Cast in vocal order of appearance

    M. ...
    by Published on December 10th, 2011 06:31 PM     Number of Views: 3708 

    One of the most important areas of our site is our Opera In-Depth project. These are detailed articles with analysis of 100 major operas. They will be published progressively, as they are long and time consuming to write. The next article under this section has a list of the 100 operas we have selected for the project.

    To navigate through these articles, click on the Section widget and the various "+" signs to open up the tree of articles. As more In-Depth articles get finished, they will be added to the widget which will function as the index for the project.

    For each opera, we will prepare an in-Depth presentation, following more or less closely this schema:

    1. Introduction (a brief explanation of the opera, something similar in content to a Wiki article)

    2. The genesis of the Opera (reviewing the literary sources, the process of composition, other operas on the same subject...)

    3. Around the opera (some brief presentations on related subjects)

    4. The Characters and their vocality (including how the music depict them, some singers that have made great interpretations of this particular opera, musical examples,...)

    5. Musical Analysis (this part could be short or long, and more or less technical)

    6. Discography (cd, dvd,...)

    7. The Opera in the Opera House (past productions, how the opera is treated today...)

    Click on the next article in this section to learn about our list of 100 operas.
    by Published on December 8th, 2011 06:00 AM
    Article Preview

    We are proud that leading tenor Juan Diego Flórez has granted us a short exclusive interview. [Opera Lively interview # 1]



    Opera Lively is honored by his gracious gesture. Also, our thanks to Mr. Flórez's agent Mr. Palacio.

    1) You have been extremely successful with the Bel Canto repertoire. What would you like to do next, maybe some of the more obscure that aren't done that often?

    I think there are several unknown operas that I may like to do, but sometimes it is hard to get the audience to listen to them. Only in certain cases this happens. It's not just down to what the artist wants to sing, but the practical possibilities for a theater to put them on. And there are many in the bel canto repertoire. I would like to add new titles to my repertoire, but before entering the unknown titles I think I must first debut works like "Cosi fan tutte", or similar, which is part of the big repertoire, and which for various reasons I have not yet had a way of singing.
    ...
    by Published on December 4th, 2011 06:00 AM
    Article Preview



    Here is the schedule for the upcoming Radio Broadcasts from the Met, which can be heard in various stations (notably Met Opera Radio by satellite and others - consult operainfo.org to find out the times and station nearest you). These are live unless otherwise stated.

    Only one left this season:
    May 5, The Markopolus Case, Janacek

    ...
    by Published on December 4th, 2011 06:00 AM
    Article Preview



    Some personal pictures taken by our members outside or inside beautiful opera houses will be shown here. Here is another one Almaviva took at La Fenice in Venice:
    ...
    by Published on December 4th, 2011 06:00 AM  Number of Views: 19924 
    1. Categories:
    2. Manifesto

    Welcome to Opera Lively. Here is some information about the site (and don't forget to click on Forum above for the area with discussion threads, English and non-English language content, and posts)

    Hello, my friends. Almaviva here (well, this is the nickname I've been using for a long time in opera sites - my real name is Luiz Gazzola). I'm the owner of this site, and a passionate opera lover.

    I'm pleased to announce ...
    by Published on December 4th, 2011 06:00 AM



    This video with Anna Netrebko La Bellissima is very entertaining. See what happens at 2:20 and 3:48. The aria is from the operetta Giuditta by Léhar, and the character in this scene is dancing on stage in a night-club, and singing a song called My Lips Kiss so Hot. Therefore, Anna's rendition is appropriate to the situation, and she is very charming and flirtatious. Please notice that she only throws roses to the gentlemen...
    ...
    Page 20 of 20 FirstFirst 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20
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