Now this Belle Helene is how you do larfs about sex. Also worth catching for lovely Gaëlle Arquez, the bellest Belle Helene possible, and some great technical stage wizardry.
Last edited by Soave_Fanciulla; January 5th, 2018 at 01:14 AM.
Natalie
My screen says, " A plugin is needed to display this content". The connotation in the sense of sex is delicious.
I understand you are saying it as a joke (and it is funny) but just for the sake of whoever else might have trouble playing this content, it has to do with allowing Adobe Flash to play in your computer. Given that Adobe Flash has been plagued by hackers, it is prudent to only enable it temporarily, for specific tasks (so people should click on "allow now" rather than "allow and remember." Most browsers now don't automatically enable it. This is a local issue (having the plug-in enabled in your browser), not an Opera Lively issue.
"J'ai dit qu'il ne suffisait pas d'entendre la musique, mais qu'il fallait encore la voir" (Stravinsky)
Very good opera, excellent production, Marianne Crebassa can do no wrong.
Natalie
just started this one:
![]()
"Music is enought for a whole lifetime--but a lifetime is not enough for music." --Sergei Vasilyevich Rachmaninoff
I'm watching the Rheingold from Opera North, and grappling with a plot problem which always bothers me: If the Ring gives Alberich such special powers, allowing him to rule the world, how come he can't use it to escape from Wotan and Loge? It's really not much use, is it, if it can't even do that.
Natalie
A similar issue arises in Act I of Götterdämmerung, when Brünnhilde warns the disguised Siegfried that the ring will protect her, but he nonetheless manages to overpower her in short order.
I see the ring as symbolically related to the gold from which it's fashioned. Like wealth, it enables you to enslave countless millions, accumulate even more riches, and eventually dominate the world. But it's no protection against a direct, personal assault.
Alberich was tricked into giving up the gold - the Ring - by Loge and Wotan. Here's the key paragraph from the synopsis (keep in mind that Alberich is playing around with the Tarnhelm when he's visible/not, etc):
Alberich has just left when Loge and Wotan arrive. They hear latest news from Mime and Loge promises Mime they will free all Nibelung dwarfs from Alberich's tyranny. Alberich arrives and becomes visible. He recognizes Wotan and Loge immediately and asks what is their business here. He is told that the gods have heard of his new might and wanted to see if the rumours are true. Alberich boasts with his great treasures with which he says he will rule the world. Loge pretends disbelief in the Tarnhelm's powers, and to prove its might, Alberich wears the Tarnhelm and turns into a huge dragon (serpent?). Loge pretends to be frightened, and asks next whether Alberich could turn into something tiny to evade his enemies. Alberich doesn't see the trick and turns into a toad. Loge tells Wotan to catch the toad: the gods seize the Tarnhelm and leave Nibelheim with Alberich as their captive.
I would guess that not all productions are clear on this little detail. Wotan and Loge also leave with the gold, since they need it to pay off the giants so they will release Freya.
See? Wagner thought of everything!
Bookmarks