What opera have you been listening to, lately?

[Aramis]

WONDERFUL! Here we go... one... ONE MOZART ARIA!... two! TWO! TWO MOZART ARIAS! AH AH AH AH HA HA! THREE, FOUR, FIVE, SIX, SEVEN, EIGHT, NINE, TEN! TEN MOZART ARIAS! Eleven... twelve... thirteen... four... FOURTEEN! FOURTEEN MOZART ARIAS! AH AH AH AH HA HA! I LOVE TO COUNT MOZART ARIAS!

[Festat]

I'm always hooked to Norma, from the very beginning with that wonderful overture. From all librettos I've been exposed to, it's the most effective on me. There's no way I can let the second act for later, that finale is such a cliffhanger! And when it comes back you go OMG SHE'S GONNA KILL THOSE CUTE LITTLE CHILDREN. I can't get enough of it.

Just watched the Cedolins-Ganassi from Liceu and although I can't really say Fiorenza is a Norma a like sing-wise, she's a fine actress and she looks damn good in this. The stanging works well and everything is nicely lit — the blue Celtic vs. red Roman is a big clichee, but man, how it works!
I've been watch a few Scala productions lately and found everything so unnecessarily dark and hot and humid. I love generous, dense shadows and I know it can work wonders, but you don't need to make the audience feel like you can cut the air with a knife.

[Schigolch]

This is the Norma mentioned by Festat, complete in youtube:

I do think the production works, in an understated kind of way. Blue and red are cliches, but they are also historically accurate, in the case of the Romans:



While at the time of the action, it's likely than the Sicambri were figthting with protections (a full metal cuirasse for the chiefs, and at least leather for the file and rank), in Britain the Celts warriors were still washing his hair with alcaline water to tye it white, and they painted his naked body entirely in blue with woad, entering in battle in this arrangement.

And yes, Cedolins is no Norma, but she did hold her own, and offered a nice performance.

[Schigolch]

[Soave_Fanciulla]

Singapore Airlines is my new favourite airline because THEY HAVE OPERA DVDS in the entertainment choices. So I was able to watch the 2010 production of Rossini's Sigismondo with Daniela Barcellona who was just stonking in the title role. Now that I've had a chance to read up on the convoluted plot I'm going to watch it again on the leg from Singapore to London.

[Schigolch]

The Mezzo broadcast of Il Trovatore, from La Monnaie.

[Aramis]

One of my first opera DVDs, I like that impression when you go back to something you didn't watch/listen since you were almost total beginner to opera and you're like REALLY? ARE ALL THOSE SINGERS THERE? because back in the day you didn't know who on Earth they are and now you're great fan (in my case of Gruberova, also admirer of Furlanetto and Stratas + Ziegler and Lima are not unfamiliar names either).

[Festat]

[Dark_Angel]

Are you aware of the Divina label release with Callas and Del Monaco?

Great sound and huge media file with production photos etc.
http://www.divinarecords.com/dvn017/dvn017.html

[Festat]

Are you aware of the Divina label release with Callas and Del Monaco?

Great sound and huge media file with production photos etc.
http://www.divinarecords.com/dvn017/dvn017.html

OOH, $19,99! Just bought it. (:

From the lossless sample it is indeed better than this Myto release I own:



(I just buy them because I love their graphic choice among so much tacky boxing opera records get.)

[Schigolch]

[Nekrotzar]

Been listening to this heaps today:



Love it.

[Schigolch]

Erich Wolfgang Korngold
DIE TOTE STADT
Wiesbaden, 29-October-1997

Paul: Hubert Delamboye
Marietta: Sue Patchell
Frank: Johann-Werner Prein
Brigitta: Diane Pilcher
Pierrot: Michael Nelle
Juliette: Annette Luig
Lucienne: Julia Olesch
Victorin: Scott MacAllister
Albert: Karsten Ruß

Conductor: Toshiyuki Kamioka

[Schigolch]

[Festat]

Right now.