Tannhauser - Solti - Paris version -Wiener Staatsopernchor
Helga Dernesch, Christa Ludwig, Hans Sotin, René Kollo, Victor Braun, Werner Hollweg
Tannhauser - Solti - Paris version -Wiener Staatsopernchor
Helga Dernesch, Christa Ludwig, Hans Sotin, René Kollo, Victor Braun, Werner Hollweg
Lully: Thesée
Howard Crook, Laura Pudwell, Ellen Hargis, Harry van der Kamp, Suzie LeBlanc, Mireille Lebel, Amanda Forsythe, Olivier Laquerre, Marek Rzepka and a few more singers
Boston Early Music Festival Orchestra & Chorus, Paul O’Dette & Stephen Stubbs
2006
I like Lully, he is one of my favourite composers in the whole world and this is one of his best. So when I noticed this was only a finalist in the Gramophone awards for Baroque Vocal category in 2008, I wondered what was better than this that year? It turned out that was the same year the Cavina recording for L'Orfeo came out.
fair' nuff
Yes, I saw that other Santini Don Carlo; the cast didn't look as uniformly distinguished (though featuring Tito Gobbi!).
The recording we've been discussing is available (in a different edition) on Amazon. A bit more than I want to spend right now, though, so I'll keep it in mind for later.
My brother in law was admitted to the bar of the Supreme Court yesterday (not that bar) and said that he chatted with Justice Ruth Bader Ginsburg about being an opera fan - when he asked her about her favorite opera, she said Marriage of Figaro or Don Giovanni - depending on the day.
So, in honor of Her Honor:
Then, later:
This is the opera that put Beverly Sills on the front page of the New York Times. Lousy recording, lots of skips and sounds like it was recorded from the Empire Hotel across the street, but some wonderful duets. Applause also not so great, but sounds very enthusiastic.
Rachmaninov: Aleko
Vassily Gerello (Aleko), Olga Guryakova (Zemfira), Vsevolod Grivnov (The Young Gypsy), Mikhail Kit (The Old Gypsy)
Moscow Chamber Orchestra, Yurlov Capella, Constantine Orbelian
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Natalie
Rimsky Korsakov:
The Legend of the Invisible City of Kitezh and the Maiden Fevronia
Ivan Petrov (Prince Yury Vsevolodovich), Vladimir Ivanovsky (Prince Vsevolod Yur'yevich), Natalya Rozhdestvenskaya (Fevroniya), Dmitri Tarkhov (Grishka Kutyer'ma), Ilya Bogdanov (Fyodor Poyarok), Boris Dobrin (Balladeer)
Moscow Radio Orchestra and Chorus, Vasily Nebolsin
1956
A different interpretation by Nebolsin to Gergiev
"hang on, I did this almost forty years before Gergiev; you should say HE did a different interpretation!"
or rather Gergiev's interpretation is different to that of Nebolsin, who had a more gentle, gentle approach that makes the impact of the melodies have a different sound, almost more romantic and maybe less fantastical. Some wonderful singing by all the principles and a majestic Prince Yury. Grishka is more human, which again is another different dimension to Gergiev's (later) interpretation where we look more at with pity.
A good remaster but how good, I am struggling to say. A reshuffle of furniture has repositioned the speakers which has suddenly increased accoustic quality very much. I need to go through entire library again...
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