more L. Albanese for me today. After this one I hope I'll finally finish Anna Bollena wit Callas (live recording as well)
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U. Giordano, Fedora, yet another live recording with amazing Licia Albanese, Enrico di Giuseppe, Mel Rosen. The quality of this recording is horrible lol it was recorded in St. Louis back in 1961
If you would seek salvation, remember this:
a life in Hell can still aspire to BLISS.
Again inspired,
Although Callas remains my favourite Norma, I believe the best ~all-around~ recording is the Callas-Domingo-Cossotto one: nice clear sound, nice orchestra under Cillario and everybody is great.
Sunday morning music:
First ever listen, I will do the research on this opera a little later. For now, I'm being blown away by all those near-impossible arias Vivaldi always manages to come up with.
If you would seek salvation, remember this:
a life in Hell can still aspire to BLISS.
I actually prefer this version - it makes sense to have the more mature Norma as a mezzo and Adalgisa as a soprano, and I believe this recording makes a case that this is returning to the original vocal casting. Also I like the idea of the Pollione being sung by a lighter Rossini tenor rather than some strutting late Verdi type (yes del Monaco, I'm thinking of you).
But then, I don't like Norma all that much anyway.
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Best. Vivaldi. Album. Ever.
Natalie
As I usually say when I recommend Vivaldi to someone: NEVER A DULL MOMENT!
Just finished Callas' Anna Bolena, now this one, which I like very much:
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"Music is enought for a whole lifetime--but a lifetime is not enough for music." --Sergei Vasilyevich Rachmaninoff
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