Always such a pleasure to listen to the aptly named silvery-voiced Nancy Argenta:
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Natalie
"Music is enought for a whole lifetime--but a lifetime is not enough for music." --Sergei Vasilyevich Rachmaninoff
You have to remember that in 1683 the Thames froze over for 2 months, so Purcell really knew all about the power of great cold!
When I hear this song I always think of this passage from Virginia Woolf's Orlando, about the frozen apple seller:
"Great statesmen, in their beards and ruffs, despatched affairs of state under the crimson awning of the Royal Pagoda ... Frozen roses fell in showers when the Queen and her ladies walked abroad ... Near London Bridge, where the river had frozen to a depth of some twenty fathoms, a wrecked wherry boat was plainly visible, lying on the bed of the river where it had sunk last autumn, overladen with apples. The old bumboat woman, who was carrying her fruit to market on the Surrey side, sat there in her plaids and farthingales with her lap full of apples, for all the world as if she were about to serve a customer, though a certain blueness about the lips hinted the truth."
Natalie
"Every theatre is an insane asylum, but an opera theatre is the ward for the incurables."
FRANZ SCHALK, attributed, Losing the Plot in Opera: Myths and Secrets of the World's Great Operas
I thought Luciano and Dame Joan might like a trip to the shops today.
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"Every theatre is an insane asylum, but an opera theatre is the ward for the incurables."
FRANZ SCHALK, attributed, Losing the Plot in Opera: Myths and Secrets of the World's Great Operas
I ended up going with the Clemens Krauss 1953 Bayreuth, remastered by Andrew Rose. A truly excellent recording.
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Well I can report that both of them enjoyed their trip to Sainsbury's. I caught Luciano muttering 'mama mia' when I put the chocolate in my trolley and Dame Joan wasn't impressed at the absence of lamingtons but both recovered in time to give me some good marching tunes for my walk home.
"Every theatre is an insane asylum, but an opera theatre is the ward for the incurables."
FRANZ SCHALK, attributed, Losing the Plot in Opera: Myths and Secrets of the World's Great Operas
My New Years' listen:
This is the only Fidelio I own, and it's not particularly satisfying. Vickers' performance is the highlight, I'm not crazy about Nilsson's Leonore. The sound (live performance recorded in 1960) is acceptable, but not much better than that.
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