Update: I downloaded the CD into my library and listened to this last night and love it. When looking at the library entry, I noticed another Orfeo ed Euridice that I bought a while back and never listened to:
I bought it because I am a big fan of Marilyn Horne, so listened to it immediately after I finished listening to the Jaroussky. I was very disappointed. Horne, of course, is terrific and was always wonderful at anything she sang, but the timbre difference between even a top-of-the-line mezzo and a top-of-the-line countertenor in this opera is dramatic and now, really, a bridge too far.
I suppose my point of reference on this opera has been altered by having experienced the only staging of the opera I've seen with the countertenor Bejun Mehta - and that I had not listened to the opera in at least a year. My ear seems to have become accustomed to the countertenor sound and, likely, no going back..
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