Vivaldi's music is fine.
Hmmm, the Naive girls are always cute, even on the front cover of very cute tenor albums.
So are you "damning Teuzzone with faint praise"? Not much good about it apart from the cover?
Natalie
Vivaldi's music is fine.
Serafin EMI studio (from complete boxset) + Rescigno live (Dallas)
Battle of the Werthers. I prefer Carreras to Kraus (more tortured) and Troyanos to von Stade (more tragic, von Stade is too cheerful a person, Troyanos must be channelling all that Greek passion and tragedy).
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I'm tempted to get the Alagna/Gheorghiu version, anyone heard it?
Natalie
I just picked up the Dallas recording myself and already had the La Scala version. Unfortunately... I haven't gotten around to either as of yet. Right now I'm on a Gluck kick. He is unquestionably a composer who is grossly underrated... often a name in the history of opera but seldom discussed or truly appreciated it seems... and yet this disc was absolutely marvelous... in spite of standing in the shadows of Alceste and Orpheus et Eurydice.
My own explorations of Gluck are part of a larger exploration of the "classical era" (Mozart, Haydn, Gluck, early Beethoven, etc...) is greater depth. So does anyone have any further recommendations... especially in the field of opera... especially in the period of transition from the Baroque through Mozart?
"Suppose you were an idiot ... And suppose you were a member of
Congress .. But I repeat myself." -Mark Twain
I love the combination of these two voices, in a programme which was unfamiliar but is growing on me on second listening.
I'm not a great fan of Vickers but WOWWWW he is fantastic as Peter Grimes, brutal and wistful, threatening and imploring. Apparently Britten hated his interpretation but I'm afraid he was wrong.
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Natalie
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